Charles Dickens' all-time classic "A Christmas Carol".The tale begins on Christmas Eve seven years after the death of Ebenezer Scrooge's business partner Jacob Marley. Scrooge is established within the first stave (chapter) as a greedy and stingy businessman who has no place in his life for kindness, compassion, charity, or benevolence. After being warned by Marley's ghost to change his ways, Scrooge is visited by three additional ghosts "each in its turn" who accompany him to various scenes with the hope of achieving his transformation.The first of the spirits, the Ghost of Christmas Past, takes Scrooge to the scenes of his boyhood and youth which stir the old miser's gentle and tender side by reminding him of a time when he was more innocent. The second spirit, the Ghost of Christmas Present, takes Scrooge to several radically differing scenes (a joy-filled market of people buying the makings of Christmas dinner, the family feast of Scrooge's near-impoverished clerk Bob Cratchit, a miner's cottage, and a lighthouse among other sites) in order to evince from the miser a sense of responsibility for his fellow man. The third spirit, the Ghost of Christmas Yet to Come, harrows Scrooge with dire visions of the future if he does not learn and act upon what he has witnessed. Scrooge's own neglected and untended grave is revealed, prompting the miser to aver that he will change his ways in hopes of changing these "shadows of what may be."In the fifth and final stave, Scrooge awakens Christmas morning with joy and love in his heart, then spends the day with his nephew's family after anonymously sending a prize turkey to the Crachit home for Christmas dinner. Scrooge has become a different man overnight, and now treats his fellow men with kindness, generosity, and compassion, gaining a reputation as a man who embodies the spirit of Christmas. The story closes with the narrator confirming the validity, completeness, and permanence of Scrooge's transformation.

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Charles Dickens' all-time classic "A Christmas Carol".The tale begins on Christmas Eve seven years after the death of Ebenezer Scrooge's business partner Jacob Marley. Scrooge is established within the first stave (chapter) as a greedy and stingy businessman who has no place in his life for kindness, compassion, charity, or benevolence. After being warned by Marley's ghost to change his ways, Scrooge is visited by three additional ghosts "each in its turn" who accompany him to various scenes with the hope of achieving his transformation.The first of the spirits, the Ghost of Christmas Past, takes Scrooge to the scenes of his boyhood and youth which stir the old miser's gentle and tender side by reminding him of a time when he was more innocent. The second spirit, the Ghost of Christmas Present, takes Scrooge to several radically differing scenes (a joy-filled market of people buying the makings of Christmas dinner, the family feast of Scrooge's near-impoverished clerk Bob Cratchit, a miner's cottage, and a lighthouse among other sites) in order to evince from the miser a sense of responsibility for his fellow man. The third spirit, the Ghost of Christmas Yet to Come, harrows Scrooge with dire visions of the future if he does not learn and act upon what he has witnessed. Scrooge's own neglected and untended grave is revealed, prompting the miser to aver that he will change his ways in hopes of changing these "shadows of what may be."In the fifth and final stave, Scrooge awakens Christmas morning with joy and love in his heart, then spends the day with his nephew's family after anonymously sending a prize turkey to the Crachit home for Christmas dinner. Scrooge has become a different man overnight, and now treats his fellow men with kindness, generosity, and compassion, gaining a reputation as a man who embodies the spirit of Christmas. The story closes with the narrator confirming the validity, completeness, and permanence of Scrooge's transformation.

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Charles Dickens' all-time classic "A Christmas Carol".The tale begins on Christmas Eve seven years after the death of Ebenezer Scrooge's business partner Jacob Marley. Scrooge is established within the first stave (chapter) as a greedy and stingy businessman who has no place in his life for kindness, compassion, charity, or benevolence. After being warned by Marley's ghost to change his ways, Scrooge is visited by three additional ghosts "each in its turn" who accompany him to various scenes with the hope of achieving his transformation.The first of the spirits, the Ghost of Christmas Past, takes Scrooge to the scenes of his boyhood and youth which stir the old miser's gentle and tender side by reminding him of a time when he was more innocent. The second spirit, the Ghost of Christmas Present, takes Scrooge to several radically differing scenes (a joy-filled market of people buying the makings of Christmas dinner, the family feast of Scrooge's near-impoverished clerk Bob Cratchit, a miner's cottage, and a lighthouse among other sites) in order to evince from the miser a sense of responsibility for his fellow man. The third spirit, the Ghost of Christmas Yet to Come, harrows Scrooge with dire visions of the future if he does not learn and act upon what he has witnessed. Scrooge's own neglected and untended grave is revealed, prompting the miser to aver that he will change his ways in hopes of changing these "shadows of what may be."In the fifth and final stave, Scrooge awakens Christmas morning with joy and love in his heart, then spends the day with his nephew's family after anonymously sending a prize turkey to the Crachit home for Christmas dinner. Scrooge has become a different man overnight, and now treats his fellow men with kindness, generosity, and compassion, gaining a reputation as a man who embodies the spirit of Christmas. The story closes with the narrator confirming the validity, completeness, and permanence of Scrooge's transformation.

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The discovery of a treasure map sets young Jim Hawkins in search of buried gold, along with a crew of buccaneers recruited by the one-legged Long John Silver. As they near their destination, and the lure of Captain Flint's treasure grows ever stronger, Jim's courage and wits are tested to the full. Robert Louis Stevenson reinvented the adventure genre with Treasure Island, a boys' story that appeals as much to adults as to children, and whose moral ambiguities turned the Victorian universe on its head. This edition celebrates the ultimate book of pirates and high adventure, and also examines how its tale of greed, murder, treachery, and evil has acquired its classic status. The book features an informative Introduction and explanatory notes by Peter Hunt, an updated bibliography, a revised chronology, and a glossary of nautical terms. Hunt includes a Note on the Text that highlights important variants between serial and volume publication and he's added additional appendices, featuring Stevenson's short fable "The Persons of the Tale" and appendix of comparative episodes from Stevenson's sources. - Publisher.

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The discovery of a treasure map sets young Jim Hawkins in search of buried gold, along with a crew of buccaneers recruited by the one-legged Long John Silver. As they near their destination, and the lure of Captain Flint's treasure grows ever stronger, Jim's courage and wits are tested to the full. Robert Louis Stevenson reinvented the adventure genre with Treasure Island, a boys' story that appeals as much to adults as to children, and whose moral ambiguities turned the Victorian universe on its head. This edition celebrates the ultimate book of pirates and high adventure, and also examines how its tale of greed, murder, treachery, and evil has acquired its classic status. The book features an informative Introduction and explanatory notes by Peter Hunt, an updated bibliography, a revised chronology, and a glossary of nautical terms. Hunt includes a Note on the Text that highlights important variants between serial and volume publication and he's added additional appendices, featuring Stevenson's short fable "The Persons of the Tale" and appendix of comparative episodes from Stevenson's sources. - Publisher.

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The discovery of a treasure map sets young Jim Hawkins in search of buried gold, along with a crew of buccaneers recruited by the one-legged Long John Silver. As they near their destination, and the lure of Captain Flint's treasure grows ever stronger, Jim's courage and wits are tested to the full. Robert Louis Stevenson reinvented the adventure genre with Treasure Island, a boys' story that appeals as much to adults as to children, and whose moral ambiguities turned the Victorian universe on its head. This edition celebrates the ultimate book of pirates and high adventure, and also examines how its tale of greed, murder, treachery, and evil has acquired its classic status. The book features an informative Introduction and explanatory notes by Peter Hunt, an updated bibliography, a revised chronology, and a glossary of nautical terms. Hunt includes a Note on the Text that highlights important variants between serial and volume publication and he's added additional appendices, featuring Stevenson's short fable "The Persons of the Tale" and appendix of comparative episodes from Stevenson's sources. - Publisher.

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Adventures of Huckleberry Finn (or, in more recent editions, The Adventures of Huckleberry Finn) is a novel by Mark Twain, first published in the United Kingdom in December 1884 and in the United States in February 1885. Commonly named among the Great American Novels, the work is among the first in major American literature to be written throughout in vernacular English, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective). It is a direct sequel to The Adventures of Tom Sawyer.

The book is noted for its colorful description of people and places along the Mississippi River. Set in a Southern antebellum society that had ceased to exist about twenty years before the work was published, Adventures of Huckleberry Finn is an often scathing satire on entrenched attitudes, particularly racism.

The versions at Internet Archive include the 174 Illustrations by E. W. Kemble (1861-1933) and 13 illustrations by James Harley as prepared by Mobileread User GrannyGrump

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Adventures of Huckleberry Finn (or, in more recent editions, The Adventures of Huckleberry Finn) is a novel by Mark Twain, first published in the United Kingdom in December 1884 and in the United States in February 1885. Commonly named among the Great American Novels, the work is among the first in major American literature to be written throughout in vernacular English, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective). It is a direct sequel to The Adventures of Tom Sawyer.

The book is noted for its colorful description of people and places along the Mississippi River. Set in a Southern antebellum society that had ceased to exist about twenty years before the work was published, Adventures of Huckleberry Finn is an often scathing satire on entrenched attitudes, particularly racism.

The versions at Internet Archive include the 174 Illustrations by E. W. Kemble (1861-1933) and 13 illustrations by James Harley as prepared by Mobileread User GrannyGrump

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Adventures of Huckleberry Finn (or, in more recent editions, The Adventures of Huckleberry Finn) is a novel by Mark Twain, first published in the United Kingdom in December 1884 and in the United States in February 1885. Commonly named among the Great American Novels, the work is among the first in major American literature to be written throughout in vernacular English, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective). It is a direct sequel to The Adventures of Tom Sawyer.

The book is noted for its colorful description of people and places along the Mississippi River. Set in a Southern antebellum society that had ceased to exist about twenty years before the work was published, Adventures of Huckleberry Finn is an often scathing satire on entrenched attitudes, particularly racism.

The versions at Internet Archive include the 174 Illustrations by E. W. Kemble (1861-1933) and 13 illustrations by James Harley as prepared by Mobileread User GrannyGrump

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Adventures of Huckleberry Finn (or, in more recent editions, The Adventures of Huckleberry Finn) is a novel by Mark Twain, first published in the United Kingdom in December 1884 and in the United States in February 1885. Commonly named among the Great American Novels, the work is among the first in major American literature to be written throughout in vernacular English, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective). It is a direct sequel to The Adventures of Tom Sawyer.

The book is noted for its colorful description of people and places along the Mississippi River. Set in a Southern antebellum society that had ceased to exist about twenty years before the work was published, Adventures of Huckleberry Finn is an often scathing satire on entrenched attitudes, particularly racism.

The versions at Internet Archive include the 174 Illustrations by E. W. Kemble (1861-1933) and 13 illustrations by James Harley as prepared by Mobileread User GrannyGrump

Listed by Unglue.it.

Adventures of Huckleberry Finn (or, in more recent editions, The Adventures of Huckleberry Finn) is a novel by Mark Twain, first published in the United Kingdom in December 1884 and in the United States in February 1885. Commonly named among the Great American Novels, the work is among the first in major American literature to be written throughout in vernacular English, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective). It is a direct sequel to The Adventures of Tom Sawyer.

The book is noted for its colorful description of people and places along the Mississippi River. Set in a Southern antebellum society that had ceased to exist about twenty years before the work was published, Adventures of Huckleberry Finn is an often scathing satire on entrenched attitudes, particularly racism.

The versions at Internet Archive include the 174 Illustrations by E. W. Kemble (1861-1933) and 13 illustrations by James Harley as prepared by Mobileread User GrannyGrump

Listed by Unglue.it.

Adventures of Huckleberry Finn (or, in more recent editions, The Adventures of Huckleberry Finn) is a novel by Mark Twain, first published in the United Kingdom in December 1884 and in the United States in February 1885. Commonly named among the Great American Novels, the work is among the first in major American literature to be written throughout in vernacular English, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective). It is a direct sequel to The Adventures of Tom Sawyer.

The book is noted for its colorful description of people and places along the Mississippi River. Set in a Southern antebellum society that had ceased to exist about twenty years before the work was published, Adventures of Huckleberry Finn is an often scathing satire on entrenched attitudes, particularly racism.

The versions at Internet Archive include the 174 Illustrations by E. W. Kemble (1861-1933) and 13 illustrations by James Harley as prepared by Mobileread User GrannyGrump

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"This book offers the first comprehensive study of the many interfaces shaping the relationship between comics and videogames. It combines in-depth conceptual reflection with a rich selection of paradigmatic case studies from contemporary media culture. The editors have gathered a distinguished group of international scholars working at the interstices of comics studies and game studies to explore two interrelated areas of inquiry: The first part of the book focuses on hybrid medialities and experimental aesthetics ""between"" comics and videogames; the second part zooms in on how comics and videogames function as transmedia expansions within an increasingly convergent and participatory media culture. The individual chapters address synergies and intersections between comics and videogames via a diverse set of case studies ranging from independent and experimental projects via popular franchises from the corporate worlds of DC and Marvel to the more playful forms of media mix prominent in Japan. Offering an innovative intervention into a number of salient issues in current media culture, Comics and Videogames will be of interest to scholars and students of comics studies, game studies, popular culture studies, transmedia studies, and visual culture studies."

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Pocket Sweeties reprints more than 100 of the first Diesel Sweeties comics, including strips that have never been seen online, character bios, an intro from rstevens and a foreword by John Allison. Pocket Sweeties is 112 pages and is available for purchase in glossy, perfect bound full color.

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Walden (first published as Walden; or, Life in the Woods) is an American book written by noted transcendentalist Henry David Thoreau, a reflection upon simple living in natural surroundings. The work is part personal declaration of independence, social experiment, voyage of spiritual discovery, satire, and manual for self-reliance. First published in 1854, it details Thoreau's experiences over the course of two years, two months, and two days in a cabin he built near Walden Pond, amidst woodland owned by his friend and mentor Ralph Waldo Emerson, near Concord, Massachusetts. The book compresses the time into a single calendar year and uses passages of four seasons to symbolize human development. By immersing himself in nature, Thoreau hoped to gain a more objective understanding of society through personal introspection. Simple living and self-sufficiency were Thoreau's other goals, and the whole project was inspired by transcendentalist philosophy, a central theme of the American Romantic Period. As Thoreau made clear in his book, his cabin was not in wilderness but at the edge of town, about two miles (3 km) from his family home.

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Walden (first published as Walden; or, Life in the Woods) is an American book written by noted transcendentalist Henry David Thoreau, a reflection upon simple living in natural surroundings. The work is part personal declaration of independence, social experiment, voyage of spiritual discovery, satire, and manual for self-reliance. First published in 1854, it details Thoreau's experiences over the course of two years, two months, and two days in a cabin he built near Walden Pond, amidst woodland owned by his friend and mentor Ralph Waldo Emerson, near Concord, Massachusetts. The book compresses the time into a single calendar year and uses passages of four seasons to symbolize human development. By immersing himself in nature, Thoreau hoped to gain a more objective understanding of society through personal introspection. Simple living and self-sufficiency were Thoreau's other goals, and the whole project was inspired by transcendentalist philosophy, a central theme of the American Romantic Period. As Thoreau made clear in his book, his cabin was not in wilderness but at the edge of town, about two miles (3 km) from his family home.

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Heart of Darkness follows the story of Charlie Marlow's time working on the Congo River. In his attempts to aid Mr. Kurtz, the chief of the Inner Station, Marlow is confronted with the cruel realities of European imperialism in Africa. This Norton Critical Edition is based on the 1902 English first book publication. The text comes paired with explanatory footnotes, illustrations and photographs, and an introduction by the editor. "Backgrounds and Contexts" explores the wide range of historical attitudes that influenced the text, including essays on imperialism and the Congo, Nineteenth-Century Attitudes Toward Race, Conrad in the Congo, and The Author on Art and Literature. "Criticism" examines a wide range of critical responses to the novella, which span from Conrad's peers up until the twenty-first century. Essays from Chinua Achebe, Jeremy Hawthorn, Hunt Hawkins, Ian Watts, J. Hillis Miller, and others have been carried over from the previous edition. These classic essays are further supported by new material from Benita Parry, Susan Jones, Richard J. Ruppel, Adriana Cavarero, Jeffrey Mathes McCarthy, Urmila Seshagirl, and Nidesh Lawtoo. The collection of essays on film adaptations of the novella has been completely revised to include essays by Robert L. Carringer, Seymour Chatman, and Pamela Demory. A Chronology and revised Selected Bibliography are also included. - Publisher.

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R. A. Foakes is Professor Emeritus at the University of California, Los Angeles. He has also taught or held fellowships at Yale, Birmingham, Durham, Kent, Toronto, the University of California, Santa Barbara, and the Australian National University, Canberra. His publications include Shakespeare: The Dark Comedies to the Last Plays and Illustrations of the English Stage 1580-1642, as well as editions of Henry VIII and The Comedy of Errors for the second Arden series, Troilus and Cressida and Much Ado About Nothing for the New Penguin Shakespeare, and A Midsummer Night's Dream for the New Cambridge Shakespeare. He has written extensively on King Lear in his book, Hamlet versus Lear: Cultural Politics and Shakespeare's Art. In the first part of Foakes's introduction, the editor examines King Lear as it is read in the mind versus how it is performed on the stage, analyzing historical productions and certain elements of the play that shine in performance but not in text, and vice versa. This section also explores how and why the play has invited so many interpretations, in reading and performance, since its inception. The next part of the introduction considers trends in the criticism and staging of the play, such as the recent shift of favor from redemptive to bleak readings. Foakes then addresses the dating of the play, the differences among the Quarto and Folio texts, and whether these changes are mere discrepancies or intentional revisions. Finally, the editor discusses the casting of the play and explains notable usages in his edition. There are two appendices that follow the play: the first examines two textual problems that are particularly difficult to interpret, and the second explains differences in lineation between the Quarto and Folio editions, which resulted from confusion whether certain lines were in prose or verse. This edition also includes lists of illustrations, abbreviations, and references, as well as a general editors’ preface and an index. The Arden Shakespeare has developed a reputation as the pre-eminent critical edition of Shakespeare for its exceptional scholarship, reflected in the thoroughness of each volume. An introduction comprehensively contextualizes the play, chronicling the history and culture that surrounded and influenced Shakespeare at the time of its writing and performance, and closely surveying critical approaches to the work. Detailed appendices address problems like dating and casting, and analyze the differing Quarto and Folio sources. A full commentary by one or more of the play’s foremost contemporary scholars illuminates the text, glossing unfamiliar terms and drawing from an abundance of research and expertise to explain allusions and significant background information. Highly informative and accessible, Arden offers the fullest experience of Shakespeare available to a reader. "By far the best edition of King Lear—in respect of both textual and other matters—that we now have."—John Lyon, English Language Notes "This volume is a treasure-trove of precise information and stimulating comments on practically every aspect of the Lear-universe. I know of no other edition which I would recommend with such confidence: to students, professional colleagues and also the 'educated public.'"—Dieter Mehl, Shakespeare-Jahrbuch 134

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Moby-Dick; or, The Whale (1851) is a novel by Herman Melville considered an outstanding work of Romanticism and the American Renaissance. Ishmael narrates the monomaniacal quest of Ahab, captain of the whaler Pequod, for revenge on Moby Dick, a white whale which on a previous voyage destroyed Ahab's ship and severed his leg at the knee. Although the novel was a commercial failure and out of print at the time of the author's death in 1891, its reputation as a Great American Novel grew during the twentieth century. William Faulkner confessed he wished he had written it himself, and D. H. Lawrence called it "one of the strangest and most wonderful books in the world", and "the greatest book of the sea ever written". "Call me Ishmael" is one of world literature's most famous opening sentences. The product of a year and a half of writing, the book is dedicated to Nathaniel Hawthorne, "in token of my admiration for his genius", and draws on Melville's experience at sea, on his reading in whaling literature, and on literary inspirations such as Shakespeare and the Bible. The detailed and realistic descriptions of whale hunting and of extracting whale oil, as well as life aboard ship among a culturally diverse crew, are mixed with exploration of class and social status, good and evil, and the existence of God. In addition to narrative prose, Melville uses styles and literary devices ranging from songs, poetry and catalogs to Shakespearean stage directions, soliloquies and asides.

There were slight but important differences between the texts of the London edition, which appeared first, and the New York edition. The London publisher cut or changed sensitive passages and Melville made changes as well, including a last-minute change in the title. The work first appeared as The Whale in London in October 1851 and then under its definitive title Moby-Dick in New York in November. The whale, however, appears in both the London and New York editions as "Moby Dick", with no hyphen. The British edition was not reprinted, while the American edition was reprinted three times, the last time in 1871. Only 3,200 copies were sold during the author's life.

Versions built by GITenberg are available here. You can make corrections or changes via the book's repository on github!. Summary by Wikipedia.

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Moby-Dick; or, The Whale (1851) is a novel by Herman Melville considered an outstanding work of Romanticism and the American Renaissance. Ishmael narrates the monomaniacal quest of Ahab, captain of the whaler Pequod, for revenge on Moby Dick, a white whale which on a previous voyage destroyed Ahab's ship and severed his leg at the knee. Although the novel was a commercial failure and out of print at the time of the author's death in 1891, its reputation as a Great American Novel grew during the twentieth century. William Faulkner confessed he wished he had written it himself, and D. H. Lawrence called it "one of the strangest and most wonderful books in the world", and "the greatest book of the sea ever written". "Call me Ishmael" is one of world literature's most famous opening sentences. The product of a year and a half of writing, the book is dedicated to Nathaniel Hawthorne, "in token of my admiration for his genius", and draws on Melville's experience at sea, on his reading in whaling literature, and on literary inspirations such as Shakespeare and the Bible. The detailed and realistic descriptions of whale hunting and of extracting whale oil, as well as life aboard ship among a culturally diverse crew, are mixed with exploration of class and social status, good and evil, and the existence of God. In addition to narrative prose, Melville uses styles and literary devices ranging from songs, poetry and catalogs to Shakespearean stage directions, soliloquies and asides.

There were slight but important differences between the texts of the London edition, which appeared first, and the New York edition. The London publisher cut or changed sensitive passages and Melville made changes as well, including a last-minute change in the title. The work first appeared as The Whale in London in October 1851 and then under its definitive title Moby-Dick in New York in November. The whale, however, appears in both the London and New York editions as "Moby Dick", with no hyphen. The British edition was not reprinted, while the American edition was reprinted three times, the last time in 1871. Only 3,200 copies were sold during the author's life.

Versions built by GITenberg are available here. You can make corrections or changes via the book's repository on github!. Summary by Wikipedia.

Listed by Unglue.it.

Moby-Dick; or, The Whale (1851) is a novel by Herman Melville considered an outstanding work of Romanticism and the American Renaissance. Ishmael narrates the monomaniacal quest of Ahab, captain of the whaler Pequod, for revenge on Moby Dick, a white whale which on a previous voyage destroyed Ahab's ship and severed his leg at the knee. Although the novel was a commercial failure and out of print at the time of the author's death in 1891, its reputation as a Great American Novel grew during the twentieth century. William Faulkner confessed he wished he had written it himself, and D. H. Lawrence called it "one of the strangest and most wonderful books in the world", and "the greatest book of the sea ever written". "Call me Ishmael" is one of world literature's most famous opening sentences. The product of a year and a half of writing, the book is dedicated to Nathaniel Hawthorne, "in token of my admiration for his genius", and draws on Melville's experience at sea, on his reading in whaling literature, and on literary inspirations such as Shakespeare and the Bible. The detailed and realistic descriptions of whale hunting and of extracting whale oil, as well as life aboard ship among a culturally diverse crew, are mixed with exploration of class and social status, good and evil, and the existence of God. In addition to narrative prose, Melville uses styles and literary devices ranging from songs, poetry and catalogs to Shakespearean stage directions, soliloquies and asides.

There were slight but important differences between the texts of the London edition, which appeared first, and the New York edition. The London publisher cut or changed sensitive passages and Melville made changes as well, including a last-minute change in the title. The work first appeared as The Whale in London in October 1851 and then under its definitive title Moby-Dick in New York in November. The whale, however, appears in both the London and New York editions as "Moby Dick", with no hyphen. The British edition was not reprinted, while the American edition was reprinted three times, the last time in 1871. Only 3,200 copies were sold during the author's life.

Versions built by GITenberg are available here. You can make corrections or changes via the book's repository on github!. Summary by Wikipedia.

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Title: The Invisible Man. A grotesque romance.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Wells, H. G.; 1897. viii. 245 p.; 8 . 012625.h.20.

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Title: The Invisible Man. A grotesque romance.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Wells, H. G.; 1897. viii. 245 p.; 8 . 012625.h.20.

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This comic lays out 2000 years of musical history. A neglected part of musical history. Again and again there have been attempts to police music; to restrict borrowing and cultural cross-fertilization. But music builds on itself. To those who think that mash-ups and sampling started with YouTube or the DJ’s turntables, it might be shocking to find that musicians have been borrowing—extensively borrowing—from each other since music began. Then why try to stop that process? The reasons varied. Philosophy, religion, politics, race—again and again, race—and law. And because music affects us so deeply, those struggles were passionate ones. They still are.

The history in this book runs from Plato to Blurred Lines and beyond. You will read about the Holy Roman Empire’s attempts to standardize religious music with the first great musical technology (notation) and the inevitable backfire of that attempt. You will read about troubadours and church composers, swapping tunes (and remarkably profane lyrics), changing both religion and music in the process. You will see diatribes against jazz for corrupting musical culture, against rock and roll for breaching the color-line. You will learn about the lawsuits that, surprisingly, shaped rap. You will read the story of some of music’s iconoclasts—from Handel and Beethoven to Robert Johnson, Chuck Berry, Little Richard, Ray Charles, the British Invasion and Public Enemy.To understand this history fully, one has to roam wider still—into musical technologies from notation to the sample deck, aesthetics, the incentive systems that got musicians paid, and law’s 250 year struggle to assimilate music, without destroying it in the process. Would jazz, soul or rock and roll be legal if they were reinvented today? We are not sure. Which as you will read, is profoundly worrying because today, more than ever, we need the arts.

Print editions available from The Center for the Study of the Public Domain.

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The internet.

It is cool, fast and global!

But it is also complicated, sometimes. Sometimes it can be dif cult to see the risks – where our private stuff online can be read and used by others.

Luckily, in our parallel universe where the DIGITAL DEFENDERS fight the evil DATA INTRUDERS, it is easy to see who are the good guys and who are the bad guys.

The DEFENDERS will show you some tips and tricks to protect yourself online. They will teach you self-defence to fight the INTRUDERS.

Check out this booklet and get ready to join our superhero team, the DIGITAL DEFENDERS!

 

 

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